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Übersetzung im Kontext von „VODs“ in Englisch-Deutsch von Reverso Context: Intelligent indexing automatically categorizes your videos for the easiest learning. It was an incredibly tight finish and we won't spoil anything up here for people who want to check out the vods (which should be coming sometime soon). VOD bzw. VoD steht als Abkürzung für: Vacuum oxygen decarburisation, ein Verfahren zur Herstellung von Edelstahlschmelzen; Veno-occlusive disease, siehe. Video-on-Demand [ˈvɪdi̯oʊ̯ ɔn dɪˈmænd] (VoD, deutsch Video auf Anforderung) bzw. Abrufvideo beschreibt die Möglichkeit, digitale Videos auf Anfrage. VoDs. Twitch, Dailymotion, Smashcast, YouTube. Provider. undefined. Caster. undefined. Coverage. VIT vs G2 | LEC Summer Split - Day 3 [GER]. 10d 8h.
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Reksio Reksio pocieszyciel. Cable media companies have combined VOD with live streaming services. The recent [ when? Servers for traditional cable and telco VOD services are usually placed at the cable head-end, serving a particular market and cable hubs in larger markets.
VOD services first appeared in the early s. VOD services were only made possible as a result of two major technological developments: discrete cosine transform DCT video compression and asymmetric digital subscriber line ADSL data transmission.
Following this, the Cable Communications Policy Act of prohibited telephone companies from providing video services within their operating regions.
IBM was developing a video server code-named Tiger Shark. Concurrently, Digital Equipment Corporation was developing a scalable video server configured from small-to-large for a range of video streams.
Many VOD trials were held with various combinations of server, network, and set-top box. The DEC server system was the most-used in these trials.
The DEC VOD server architecture used interactive gateways to set up video streams and other information for delivery from any of a large number of VAX servers, enabling it in to support more than , streams with full videocassette recorder VCR -like functionality.
The SGI system supported 4, users. Although a technical success, difficulty in sourcing content was a major issue and the project closed in In , Enron Corporation had entered the broadband market, constructing and purchasing thousands of miles of fiber-optic cables throughout the United States.
By , Kingston Interactive TV had attracted 15, subscribers. After attracting 40, customers, they were bought by Tiscali in which was, in turn, bought by Talk Talk in Sky Anytime on PC uses a legal peer-to-peer approach based on Kontiki technology to provide very-high-capacity multi-point downloads of the video content.
Instead of the video content all being downloaded from Sky's servers, the content comes from multiple users of the system who have already downloaded the content.
Other UK television broadcasters implemented their own versions of the same technology, such as the BBC's iPlayer , which was launched on 25 December , and Channel 4 's 4oD 4 on Demand , which was launched in late In that same year, the assets of the now-defunct Kangaroo project were acquired by Arqiva ,  who used the technology to launch the SeeSaw service in February They use the large downstream bandwidth present on their cable systems to deliver movies and television shows to end-users.
These viewers can typically pause, fast-forward, and rewind VOD movies due to the low latency and random-access nature of cable technology.
The large distribution of a single signal makes streaming VOD impractical for most satellite television systems. In Demand is a cable VOD service that also offers pay-per-view.
Once the programs have been downloaded onto a user's PVR, he or she can watch, play, pause, and seek at their convenience.
VOD is also common in expensive hotels. The number increased to by A movie, for example, could be sent out once using a broadcast signal rather than numerous times over cable or fiber-optic lines, and this would not involve the expense of adding many miles of lines.
Sezmi planned to lease part of the broadcast spectrum to offer a subscription service that National Association of Broadcasters President Gordon H.
Smith said would provide a superior picture to that of cable or satellite at a lower cost. Developing VOD requires extensive negotiations to identify a financial model that would serve both content creators and cable providers while providing desirable content for viewers at an acceptable price point.
Key factors identified for determining the economic viability of the VOD model include VOD movie buy-rates and setting Hollywood and cable operator revenue splits.
These on-demand packages sometimes include extras and bonus footage in addition to the regular content. Peer-to-peer P2P file-sharing software allows the distribution of content without the linear costs associated with centralised streaming media.
This innovation proved it is technically possible to offer the consumer potentially every film ever made, and the popularity and ease of use of such services may have motivated the rise of centralised video-on-demand services.
Some services such as Spotify  use peer-to-peer distribution to better scale their platforms. Netflix was reported to be considering switching to a P2P model  to cope with net neutrality problems from downstream providers.
Transactional video on demand TVOD is a distribution method by which customers pay for each piece of video-on-demand content. TVOD has two sub-categories: electronic sell-through EST , by which customers can permanently access a piece of content once purchased via the Internet; and download to rent DTR , by which customers can access the content for a limited time upon renting.
Premium video on demand PVOD is a version of TVOD which allows customers to access video-on-demand content sooner than they would have been able to otherwise, but at a much higher price point.
A growing number of television stations offer "catch-up TV" as a way for viewers to watch programmes though their VOD services after the original television broadcast is over.
Some studies show that catch-up television is starting to represent a large part of the views and watch-hours and that users tend to watch catch-up TV programmes for longer when compared to live television watching.
Subscription VOD SVOD services use a subscription business model in which subscribers are charged a regular fee to access unlimited programmes.
Near video on demand NVOD is a pay-per-view consumer video technique used by multi-channel broadcasters using high-bandwidth distribution mechanisms such as satellite and cable television.
Multiple copies of a programme are broadcast at short time intervals typically staggered on a schedule of every 10—20 minutes on linear channels providing convenience for viewers, who can watch the programme without needing to tune in at the only scheduled point in time.
A viewer may only have to wait a few minutes before the next time a movie will be programmed. This form is bandwidth-intensive, reduces the number of channels a provider can offer, and is generally provided by large operators with a great deal of redundant capacity.
This concept has been reduced in popularity as video on demand is implemented, along with providers often wanting to provide the maximum throughput for their broadband services possible.
Before the rise of VOD, the cable pay-per-view provider In Demand provided up to 40 channels in , with several films receiving four channels on a staggered schedule to provide the NVOD experience for viewers.
Edge Spectrum, an American holder of low-power broadcasting licenses, has an eventual business plan to use its network and a system of digital video recorders to simulate the video-on-demand experience.
Push video on demand is so-named because the provider "pushes" the content out to the viewer's set-top box without the viewer having requested the content.
This technique is used by several broadcasters on systems that lack the connectivity and bandwidth to provide true "streaming" video on demand.
If the consumer requests one of these films, it is already loaded on her or his DVR. A push VOD system uses a personal video recorder PVR to store a selection of content, often transmitted in spare capacity overnight or all day long at low bandwidth.
Users can watch the downloaded content at the time they desire, immediately and without any buffering issues. Push VOD depends on the viewer recording content so choices can be limited.
Advertising video on demand AVOD uses an advertising-based revenue model. This allows companies that advertise on broadcast and cable channels to reach people who watch shows using VOD.
This model also allows people to watch content without paying subscription fees. View using the existing Hulu infrastructure.
Sony Crackle has introduced a series of advertisements for the same company that ties into the content that is being watched.
From Wikipedia, the free encyclopedia. Systems which allow users to select and watch video or listen to audio content on demand. This article needs additional citations for verification.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
See also: Streaming service provider and Streaming media. This section needs to be updated.