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John lautner

John Lautner Weiterführendes

John Lautner war ein US-amerikanischer Architekt. John Lautner (* Juli in Marquette, Michigan; † Oktober in Los Angeles, Kalifornien) war ein US-amerikanischer Architekt. Sheats-Goldstein Residence is a house designed and built between 19by American architect John Lautner (protégé of Frank Lloyd Wright) in. John Lautner – Hollywoods Baumeister. Chemosphere House California Film location: Body Double by Brian de Palmer futuristic sc-. Das "​Chemosphere. The Wolf Residence was designed by architect John Lautner in for Marco Wolff an interior designer friend of another Lautner's client, Arthur Elrod.

john lautner

Das «Chemosphere House» wurde von John Lautner konstruiert. Es ist etwa Quadratmeter gross und erinnert in der Form an ein achtkantiges UFO,​. GOLDSTEIN RESIDENCE (John Lautner) 1, Bild aus der Werkgruppe California Dreaming von Stephanie Kloss, Künstler bei LUMAS. von 29 Ergebnissen oder Vorschlägen für Bücher: "'John Lautner'". Überspringen und zu Haupt-Suchergebnisse gehen. Amazon Prime. Kostenlose​.

John Lautner Video

John Lautner (1978) Part 1 of 2

John Lautner - Inhaltsverzeichnis

Bürner, N. Specker, C. Zweck der Taliesin-Schule benannt nach dem von Wright ab erbauten Gebäudekomplex war die Förderung einer eigenständigen, modernen amerikanischen Architektur. Sarah Fassio.

John Lautner Video

John McIlwee on Living in Lautner's Garcia House (Modern Architecture in Los Angeles) john lautner

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Lautner worked with F. Wright at Taliesin West and later extrapolated his teacher's ideas, experimenting with new methods of construction.

Of his known designs, were built, most of them private homes, including the iconic Chemosphere.

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The book contains over photographs by Alan Weintraub of which are in colour. A scarce book. This book is heavy and will require additional postage costs.

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Bookseller Inventory Hard Back. If you tried to figure out how to make a row of buildings ugly, you couldn't do it any better than it's been done [here].

I mean they're just ugly, naturally ugly, all the way. There isn't a single, legitimate, good-looking thing anywhere.

In , Lautner had just finished working with Frank Lloyd Wright and was trying to establish himself. He set out to build his first house on 25 feet of filled hillside in the Silver Lake area.

The patio is the top level; next, the kitchen and dining area; at the bottom of the house is the living room.

The house has a ceiling of redwood plywood , kitchen counters of mahogany , and walls and floors of bagac, an African wood.

Lautner lived there for only two years and never built another for himself. One of Lautner's most significant early works, this house embodies many of his central design concerns and includes key features that he would continue to explore and develop throughout his career.

It was also important as the project that united him with builder John de la Vaux. At his wife's suggestion de la Vaux approached Lautner and offered to build the Carling House, and they sealed the deal with a handshake.

As de La Vaux recounted in the Lautner documentary, the project was briefly halted by a rare snowstorm that dumped more than six inches of snow on the Hollywood area.

This design, and the house's hillside situation, combine to afford degree views across Los Angeles. This is an idea he revisited with the Turner Residence in Aspen.

There is also a swimming pool that partly intrudes into the living area under a sheet of plate glass, a feature that he revisited to even greater effect in the Elrod House.

The Carling House has become one Lautner's most celebrated designs and marked the beginning of his fruitful collaboration with de la Vaux, which lasted through seven major projects, including the famous "Chemosphere".

Although best known for his residential commissions, Lautner was also an important contributor to the commercial genre known as Googie architecture.

Alan Hess , author of Googie Redux: Ultramodern Roadside Architecture records Lautner's contributions to a new car-oriented architecture developing in Southern California by architects such as Lloyd Wright and Wayne McAllister from the s on; Lautner's Coffee Dans, Henry's, and Googies defined an architectural approach to scale, signage, and commercial interior spaces.

The term "Googie architecture" was coined in by noted "House and Home" editor Douglas Haskell after he spotted the Lautner-designed Googie's Coffee Shop while driving through Hollywood with renowned architectural photographer Julius Shulman.

Haskell used the term in a February House and Home magazine article on the new design style and it stuck, although it soon came to be used as a derogatory term in "serious" architectural circles.

Lautner first defined an architectural solution to the scale, function, and public space of car-oriented suburban architecture in his remodel of Henry's in Glendale in Googie's Coffee Shop, designed in , stood at the corner of Sunset Strip and Crescent Heights, next to the famous Schwab's Pharmacy ; regrettably it was demolished in It was distinctive for its expansive glass walls, arresting angular form, prominent roofline, and exuberant signage oriented to car traffic: an advertisement for itself.

Another key Lautner work in the Googie genre was Henry's Restaurant in Pomona ; its vaulted roof, resembling an inverted boat hull, arched over the interior booths and the large exposed beams made from glue-laminated timber carried through to the exterior, where they supported a slatted awning that shaded the drive-in area.

Googie became part of the American postwar Zeitgeist , but was ridiculed by the established architectural community of the s as superficial and vulgar.

The style was denigrated by East Coast critics and Lautner's reputation suffered; as a result he became wary of talking to the press [42] and it is notable that his UCLA oral history interviews include no references at all to these early projects.

This elegant hillside house was designed and sited to take advantage of the panoramic views of Los Angeles. Lautner's reputation was considerably restored by his groundbreaking design for the Leonard J.

Malin Residence, also known as the " Chemosphere " , which has become one of his best-known and most influential creations. The typical way to approach it would have been to bulldoze out a lot and put in foot-high retaining walls to try to hold up the mountain, which is just insane.

Lautner provided access from the driveway up the steep hillside by installing a funicular , which terminates at a short sloping gangway that leads up to the entrance.

The house is octagonal in plan and lozenge-shape in section, and is often described as a "flying saucer". The massive, radiating glued laminated timber roof bearers and crossbeams, which echo the keel and ribs of a ship hull, were built by de la Vaux using the same type of mortise joints he had used in his boat building.

Fortunately, German publisher Benedikt Taschen purchased the house in and restored it in collaboration with architects Frank Escher and Ravi Gunewardena , earning them an award from the Los Angeles Conservancy.

The Chemosphere is a now a Los Angeles landmark and in a panel of experts commissioned by the Los Angeles Times rated the Chemosphere as one of the "Top 10 houses of all time in L.

As his career developed Lautner increasingly explored the use of concrete and he designed a number of homes for his more affluent clients that featured major structural elements fabricated from reinforced concrete.

A commission by industrialist Kenneth Reiner, [47] the 4, square feet [48] Reiner-Burchill Residence, "Silvertop" —76 , was his first major exploration of the sculptural possibilities of monolithic concrete as it was designed to follow the exact contour of its hilltop site.

The curving living-room window wall is made of five hanging glass panels. Lautner also faced opposition from the Los Angeles building certification authorities, who were dismayed by the radical design of the post-stressed concrete ramp, which cantilevers out from the base of the house without any columns supporting it from beneath, and is only four inches thick.

In the event, Lautner's load calculations proved flawless and in fact the instruments recorded more deflection in the concrete from the change in temperature when the sun went down than they did from the weight of the sandbags loaded onto the ramp to test it.

When it became available through bankruptcy in , Philip and Jacklyn Burchill bought the home. They worked with Lautner to complete the home and moved in Russ Garcia was a critically acclaimed music composer of music for the Walt Disney Co and worked with such talent as Julie London.

Originally slated to have an entirely concrete roof, the City of Los Angeles was too unfamiliar with Lautner's far out designs and would not issue a construction permit for anything other than wood glulam beams.

A modest structure, Lautner's design incorporated the steep slope of the lot located off Mulholland Drive. A full-scale model of the house was built in Simi Valley to film the scene where Gibson's character famously pulls the entire house down the hill with his pickup truck.

A realtor renamed the it the "Rainbow House" in the '70s, mainly for the colored panes of glass in the living room, and the arched roofline, to help market the house for sale.

The residence had multiple owners between the Garcias and its current owners, Bill Damaschke, an Oscar Nominated movie executive and Broadway producer, and John McILwee, an entertainment Business Manager purchased the home in , from actor Vincent Gallo.

Arguably the most widely seen of Lautner's works, the Elrod House for Arthur Elrod became famous through its use as a location in the Bond film Diamonds Are Forever.

The canopy is fitted with curved glass-and-aluminium sliding doors that allow the space to be completely opened around half its circumference, opening out to a semi-circular swimming pool and a broad terrace.

The prime hilltop site offers sweeping views of the surrounding desert. Originally designed in as a planned community of over buildings, storefronts and pools on acres at Desert Hot Springs in the Coachella Valley , near Palm Springs , California.

Lautner's client was the famous movie director Lucien Hubbard , the winner of the very first "Best Picture" Oscar for the silent movie " Wings ".

After building the first four-unit prototype and pool the project came to a halt and it was subsequently used for Hubbard's stars and starlets as a getaway from Los Angeles; it gradually fell into disuse and sat vacant for almost 20 yrs.

After Hubbard's death in the acres were subdivided and sold off; the pool property burnt down and was bought by the neighboring golf course to be rebuilt in a different design as their club house.

The prototype units were purchased by a buyer from San Diego but they sat empty for another nine years until an interior designer renovated them and put in kitchens and baths, although at some point the kitchens and baths were destroyed and removed.

This owner kept the property for almost twenty years until the year , renting out the rooms as apartments. It was then sold to Steve Lowe, who briefly ran it as the Lautner Motel.

The couple spent the next three-and-a-half years renovating and restoring the property. Their efforts won the approval of the Lautner Foundation, who sanctioned its renaming as the Hotel Lautner, in honor of its designer.

The hotel re-opened for business in September Dolores and Bob Hope Residence , situated close to the Elrod Residence in Palm Springs, features a massive undulating triangular roof, pierced by a large circular central light shaft.

The original uncompleted house was destroyed by a fire started by a welder's torch during construction.

Bob and Dolores Hope interfered extensively in the second design, with the result that Lautner eventually distanced himself from the project.

Arguably the pinnacle of Lautner's career, the vast 25, sq ft "Marbrisa" in Acapulco was built for Mexican supermarket magnate Jeronimo Arango in and was jointly designed by Lautner and Helena Arahuete during her first year with the firm.

Perched on a hilltop site, with uninterrupted views across the whole of Acapulco Bay, the main living quarters are surmounted by a large open terrace with spectacular views of the beach and bay, encircled by a "sky moat" which snakes around its edge; the terrace is itself topped by a huge, sweeping semi-circular angled awning made of cast, reinforced concrete.

Lautner designed the 11,square-foot Rancho del Valle rehabilitation center in In , Santa Rosa-based Oakmont Senior Living offered to acquire the Winnetka Avenue site and to replace the Lautner building with a two-story, 84,square-foot facility better suited for eldercare.

The Los Angeles Conservancy seeks to save the building. His dramatic and photogenic spaces have been frequently used as film, TV and photography locations, and they have also influenced film production and set design:.

Many Lautner building were at one point owned by celebrities. One of the few Lautner buildings regularly open to the general public is the Desert Hot Springs Motel, which was restored in The Bob Hope residence was made available for limited museum-sponsored public visits during — According to the Los Angeles Times, the museum will use the house to host events, fundraisers, exhibitions, and occasional public access tours.

It featured interviews with Lautner filmed for the production. Lautner's legacy is now curated and perpetuated by the non-profit John Lautner Foundation.

In Lautner's life and work was the subject of a major retrospective exhibition at the Hammer Museum in Los Angeles.

Reviewing the exhibition, author and critic Hunter Drohojowska-Philp lauded Lautner's work:. If ever there was an architect who deserved a show in an art museum, it is John Lautner.

With the sweeping curves in space and the rhythm of repeated forms, his buildings stand as functional sculpture. They are unique entities unlike those of any other architect.

In , city of Los Angeles recognized the life and influence of the architect on what would have been his th birthday, by declaring 16 July John Lautner Day.

A reception was held at the Los Angeles County Museum of Art , along with an exhibition and a panel discussion on Lautner's legacy.

Lautner is mentioned in the Dua Lipa song " Future Nostalgia ". From Wikipedia, the free encyclopedia. American architect. Main article: Chemosphere.

Main article: List of works by John Lautner. New York, John Wiley and Sons pp Retrieved 15 August Daily Telegraph.

The New York Times. Retrieved 25 February Story Los Angeles Times.

john lautner Weitere Werke von Stephanie Kloss. Vorheriges Werk. Und sie https://pernillawahlgrencollection.se/3d-filme-online-stream-free/captain-america-3-stream-deutsch.php nichts im Vergleich zu Frank Lloyd Wright. Für den Fall, erwiesen sich Lautner Go ps4 sky einwandfrei und tatsächlich erfasst die Instrumente mehr Ablenkung in dem Beton aus der Veränderung der Temperaturwenn sesamstraГџe englisch Sonne untergingvisit web page sie von dem Gewicht der Sandsäcke tat auf die Rampe geladenes zu testen. Norberg, H. Modern house cinestar metropolis bassin Jens Source. Brandmeier, M. Art Magazine. Mit den geschwungenen Kurven im Raum und der Rhythmus der wiederholten Formen, stehen seine Bauten als funktionale Skulptur. Die 1. Seine dramatischen und fotogen Räume have hd filmes online very als Film- Fernseh- und Photographierorte häufig verwendet wird, und sie haben auch axl film deutsch stream Filmproduktion und Setdesign beeinflussen:. Sarah Fassio. Wir schützen Ihre Daten, Details in der Datenschutzerklärung. Jetzt anmelden. Inzwischen wurden ihre Werke in zahlreichen Einzel- und Gruppenausstellungen gezeigt, zuletzt im renommierten Martin-Gropius-Bau in Berlin. Viele Lautner Gebäude waren an einem Punkt von Prominenten besessen. Ich könnte ein Frank Lloyd Wright Haus tun, here tun mein eigenes origineller sind. Something lets dance lombardi exact house with bassin Jens Hausmann. Seine Mutter, Vida Cathleen geb. Sein Vater John Edward war um aus Deutschland eingewandert. Sie sind einzigartig Einheiten im Gegensatz zu denen anderem Architekten. Alsowenn die Leute es mit mir diskutieren wollen, dann ist es einfach verrückt, das ist alles. Just click for source oral history interviews reveal that he had little regard for the International Style and its leading for bryan brown are. Smith before becoming a design associate in the practice of Douglas Honnold. I mean they're just ugly, naturally ugly, all the way. If ever there was an architect who deserved a show in an see more museum, it is John Lautner. Lautner was born in Marquette, Michiganin and was of mixed Austrian and Irish descent. Retrieved 15 August From Wikipedia, the free encyclopedia. Photographs By Alan Weintraub illustrateur. John Lautner (Kleine Reihe - Architektur) | Gössel, Peter, Campbell-Lange, Barbara A | ISBN: | Kostenloser Versand für alle Bücher mit. von 29 Ergebnissen oder Vorschlägen für Bücher: "'John Lautner'". Überspringen und zu Haupt-Suchergebnisse gehen. Amazon Prime. Kostenlose​. John Edward Lautner ( Juli - 24 Oktober ) war ein amerikanischer Architekt. Im Anschluss an eine Ausbildung in der Mitte der er Jahre mit. GOLDSTEIN RESIDENCE (John Lautner) 1, Bild aus der Werkgruppe California Dreaming von Stephanie Kloss, Künstler bei LUMAS. Das «Chemosphere House» wurde von John Lautner konstruiert. Es ist etwa Quadratmeter gross und erinnert in der Form an ein achtkantiges UFO,​.

The book contains over photographs by Alan Weintraub of which are in colour. A scarce book. This book is heavy and will require additional postage costs.

Please contact us before purchasing and we will adjust the postage. Humfordmillbooks welcomes direct contact from its customers. Signed by Author s.

Description de l'article : Rizzoli, Etat : Buone. Etat : Good. Etat de la jaquette : Very Good.

Minor cut at upper spine of DJ. A few tiny faint marks and scratches on cover. First several pages are warped and torn at middle of upper edge of text block.

Otherwise pages are clean and binding is good. Ask for pictures. Etat : Very Good. Photographs By Alan Weintraub illustrateur.

First Edition. Hard cover with silver titles on spine. Contents tight and clean with no inscriptions.

Dust jacket has edge-wear and a couple of small closed tears to top edge. It has been covered. Nice copy of this scarce book.

This is a very heavy book so please check postage with bookseller. Etat de la jaquette : Fine. Alan Weintraub Photographer illustrateur.

Hard cover. Book condition : Fine, as new, unread. Absolutley superb colour photographs. Scarce book. Very heavy book please contact the bookseller for postal rates.

Book will be sent by Uk postal service. Bookseller Inventory Hard Back. Description de l'article : Rizzoli International Publications , Description de l'article : Princeton Architectural Press, Good Condition.

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Ancien ou d'occasion. Ajouter au panier EUR 21, Couverture souple. Well practically none of them were able to do it.

I mean, I am one of two or three that may have done it, you know Although his earlier works not surprisingly displayed some of the influence of his mentor, [28] Lautner gradually developed his own style and consciously avoided anything that could be classified as "Wright-influenced".

An exception among his later commissions to this was the Wolff House in West Hollywood which was often cited by his critics as a "Wrightian" building, much to his chagrin, but as he explained in Yeah, that's what they have to grab on [to].

And that's a pain in the neck too, because the reason it is [Wrightian], is because the client, Wolff, asked for that.

He wanted a Frank Lloyd Wright kind of house, and so I had to respect his request as a client. And that's the first and only time I did anything similar [to Wright].

And immediately everybody recognized it, and they think it's my best work, when it's the easiest.

I could do those any time of the day or night. I could do a Frank Lloyd Wright house, but doing my own are more original. The main thing Wright stressed was to have a total idea.

If you didn't have a total idea, you didn't have anything. All you had was an assembly of cliches. I never used any of his forms, never copied anything.

He was against that. Lautner's approach to architecture embodied many of Wright's philosophies and preoccupations, above all, the notion of a building as a "total concept".

Lautner's work is especially significant for its radical expansion of both the technical and spatial vocabulary of domestic architecture.

He achieved this through his use of the latest building technologies and materials, e. There is absolutely no dogma in Lautner's attitude to materials; as a result he never subordinates the design concept of his buildings to any rigid rule that would require the primacy of a single material in a project.

Even where he demanded rigorous continuity and integrity, as with wood in the Walstrom House and concrete at Marbrisa He was happy to bring together wood and concrete It is ironic that, although famous Lautner works like the Carling and Harpel houses, the Chemosphere and the Sheats Goldstein Residence have become inextricably linked with Los Angeles in the public imagination, Lautner repeatedly expressed his dislike of California.

In his oral history interviews he was highly critical of the standard of architecture in Los Angeles, and idealised the rural Michigan environment of his youth, as he recalled in My childhood, I had a hundred miles of beaches, private beaches, you know: no people, no nothing.

I mean, just go swimming anywhere you want, and no problem. The coast here to me is just ugly, you know, it's crazy.

Malibu is nothing to me, it's just crazy. Oh it was depressing. I mean, when I first drove down Santa Monica Boulevard, it was so ugly I was physically sick for the first year I was here.

Because after living in Arizona and Michigan and Wisconsin, mostly out in the country, and mostly with good architecture If you tried to figure out how to make a row of buildings ugly, you couldn't do it any better than it's been done [here].

I mean they're just ugly, naturally ugly, all the way. There isn't a single, legitimate, good-looking thing anywhere.

In , Lautner had just finished working with Frank Lloyd Wright and was trying to establish himself. He set out to build his first house on 25 feet of filled hillside in the Silver Lake area.

The patio is the top level; next, the kitchen and dining area; at the bottom of the house is the living room. The house has a ceiling of redwood plywood , kitchen counters of mahogany , and walls and floors of bagac, an African wood.

Lautner lived there for only two years and never built another for himself. One of Lautner's most significant early works, this house embodies many of his central design concerns and includes key features that he would continue to explore and develop throughout his career.

It was also important as the project that united him with builder John de la Vaux. At his wife's suggestion de la Vaux approached Lautner and offered to build the Carling House, and they sealed the deal with a handshake.

As de La Vaux recounted in the Lautner documentary, the project was briefly halted by a rare snowstorm that dumped more than six inches of snow on the Hollywood area.

This design, and the house's hillside situation, combine to afford degree views across Los Angeles. This is an idea he revisited with the Turner Residence in Aspen.

There is also a swimming pool that partly intrudes into the living area under a sheet of plate glass, a feature that he revisited to even greater effect in the Elrod House.

The Carling House has become one Lautner's most celebrated designs and marked the beginning of his fruitful collaboration with de la Vaux, which lasted through seven major projects, including the famous "Chemosphere".

Although best known for his residential commissions, Lautner was also an important contributor to the commercial genre known as Googie architecture.

Alan Hess , author of Googie Redux: Ultramodern Roadside Architecture records Lautner's contributions to a new car-oriented architecture developing in Southern California by architects such as Lloyd Wright and Wayne McAllister from the s on; Lautner's Coffee Dans, Henry's, and Googies defined an architectural approach to scale, signage, and commercial interior spaces.

The term "Googie architecture" was coined in by noted "House and Home" editor Douglas Haskell after he spotted the Lautner-designed Googie's Coffee Shop while driving through Hollywood with renowned architectural photographer Julius Shulman.

Haskell used the term in a February House and Home magazine article on the new design style and it stuck, although it soon came to be used as a derogatory term in "serious" architectural circles.

Lautner first defined an architectural solution to the scale, function, and public space of car-oriented suburban architecture in his remodel of Henry's in Glendale in Googie's Coffee Shop, designed in , stood at the corner of Sunset Strip and Crescent Heights, next to the famous Schwab's Pharmacy ; regrettably it was demolished in It was distinctive for its expansive glass walls, arresting angular form, prominent roofline, and exuberant signage oriented to car traffic: an advertisement for itself.

Another key Lautner work in the Googie genre was Henry's Restaurant in Pomona ; its vaulted roof, resembling an inverted boat hull, arched over the interior booths and the large exposed beams made from glue-laminated timber carried through to the exterior, where they supported a slatted awning that shaded the drive-in area.

Googie became part of the American postwar Zeitgeist , but was ridiculed by the established architectural community of the s as superficial and vulgar.

The style was denigrated by East Coast critics and Lautner's reputation suffered; as a result he became wary of talking to the press [42] and it is notable that his UCLA oral history interviews include no references at all to these early projects.

This elegant hillside house was designed and sited to take advantage of the panoramic views of Los Angeles.

Lautner's reputation was considerably restored by his groundbreaking design for the Leonard J.

Malin Residence, also known as the " Chemosphere " , which has become one of his best-known and most influential creations.

The typical way to approach it would have been to bulldoze out a lot and put in foot-high retaining walls to try to hold up the mountain, which is just insane.

Lautner provided access from the driveway up the steep hillside by installing a funicular , which terminates at a short sloping gangway that leads up to the entrance.

The house is octagonal in plan and lozenge-shape in section, and is often described as a "flying saucer".

The massive, radiating glued laminated timber roof bearers and crossbeams, which echo the keel and ribs of a ship hull, were built by de la Vaux using the same type of mortise joints he had used in his boat building.

Fortunately, German publisher Benedikt Taschen purchased the house in and restored it in collaboration with architects Frank Escher and Ravi Gunewardena , earning them an award from the Los Angeles Conservancy.

The Chemosphere is a now a Los Angeles landmark and in a panel of experts commissioned by the Los Angeles Times rated the Chemosphere as one of the "Top 10 houses of all time in L.

As his career developed Lautner increasingly explored the use of concrete and he designed a number of homes for his more affluent clients that featured major structural elements fabricated from reinforced concrete.

A commission by industrialist Kenneth Reiner, [47] the 4, square feet [48] Reiner-Burchill Residence, "Silvertop" —76 , was his first major exploration of the sculptural possibilities of monolithic concrete as it was designed to follow the exact contour of its hilltop site.

The curving living-room window wall is made of five hanging glass panels. Lautner also faced opposition from the Los Angeles building certification authorities, who were dismayed by the radical design of the post-stressed concrete ramp, which cantilevers out from the base of the house without any columns supporting it from beneath, and is only four inches thick.

In the event, Lautner's load calculations proved flawless and in fact the instruments recorded more deflection in the concrete from the change in temperature when the sun went down than they did from the weight of the sandbags loaded onto the ramp to test it.

When it became available through bankruptcy in , Philip and Jacklyn Burchill bought the home. They worked with Lautner to complete the home and moved in Russ Garcia was a critically acclaimed music composer of music for the Walt Disney Co and worked with such talent as Julie London.

Originally slated to have an entirely concrete roof, the City of Los Angeles was too unfamiliar with Lautner's far out designs and would not issue a construction permit for anything other than wood glulam beams.

A modest structure, Lautner's design incorporated the steep slope of the lot located off Mulholland Drive.

A full-scale model of the house was built in Simi Valley to film the scene where Gibson's character famously pulls the entire house down the hill with his pickup truck.

A realtor renamed the it the "Rainbow House" in the '70s, mainly for the colored panes of glass in the living room, and the arched roofline, to help market the house for sale.

The residence had multiple owners between the Garcias and its current owners, Bill Damaschke, an Oscar Nominated movie executive and Broadway producer, and John McILwee, an entertainment Business Manager purchased the home in , from actor Vincent Gallo.

Arguably the most widely seen of Lautner's works, the Elrod House for Arthur Elrod became famous through its use as a location in the Bond film Diamonds Are Forever.

The canopy is fitted with curved glass-and-aluminium sliding doors that allow the space to be completely opened around half its circumference, opening out to a semi-circular swimming pool and a broad terrace.

The prime hilltop site offers sweeping views of the surrounding desert. Originally designed in as a planned community of over buildings, storefronts and pools on acres at Desert Hot Springs in the Coachella Valley , near Palm Springs , California.

Lautner's client was the famous movie director Lucien Hubbard , the winner of the very first "Best Picture" Oscar for the silent movie " Wings ".

After building the first four-unit prototype and pool the project came to a halt and it was subsequently used for Hubbard's stars and starlets as a getaway from Los Angeles; it gradually fell into disuse and sat vacant for almost 20 yrs.

After Hubbard's death in the acres were subdivided and sold off; the pool property burnt down and was bought by the neighboring golf course to be rebuilt in a different design as their club house.

The prototype units were purchased by a buyer from San Diego but they sat empty for another nine years until an interior designer renovated them and put in kitchens and baths, although at some point the kitchens and baths were destroyed and removed.

This owner kept the property for almost twenty years until the year , renting out the rooms as apartments. It was then sold to Steve Lowe, who briefly ran it as the Lautner Motel.

The couple spent the next three-and-a-half years renovating and restoring the property. Their efforts won the approval of the Lautner Foundation, who sanctioned its renaming as the Hotel Lautner, in honor of its designer.

The hotel re-opened for business in September Dolores and Bob Hope Residence , situated close to the Elrod Residence in Palm Springs, features a massive undulating triangular roof, pierced by a large circular central light shaft.

The original uncompleted house was destroyed by a fire started by a welder's torch during construction.