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In a post-apocalyptic wasteland, a woman rebels against a tyrannical ruler in search for her homeland with the aid of a group of female prisoners, a psychotic worshiper, and a drifter named Max.

A biologist signs up for a dangerous, secret expedition into a mysterious zone where the laws of nature don't apply. A paraplegic Marine dispatched to the moon Pandora on a unique mission becomes torn between following his orders and protecting the world he feels is his home.

Linguistics professor Louise Banks leads an elite team of investigators when gigantic spaceships touchdown in 12 locations around the world.

As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extraterrestrial visitors.

Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.

Written by Jwelch Sometimes I can get very irritated by a trailer for giving too much away case in point, "Room" and more recently "Passengers".

Sometimes I can get very excited by a really good teaser trailer case in point, "10 Cloverfield Lane". But most of the time a "ho hum" trailer typically drives the expectation of a "ho hum" film: "Jack Reacher: Never Look Back" being a good recent example.

At face value, it looks like a dubious "Close Encounters" wannabe, with a threat of movement towards the likes of "Independence Day" and "The 5th Wave".

Actually what you get is a film that approaches the grandeur of "Close Encounters" but interlaces it with the intellectual depth of "Inception", the mystery of "Intersteller" and a heavy emotional jolt or two of "Up".

Amy Adams "Batman vs Superman" plays Dr Louise Banks, a language teacher at a US university facing a bunch of particularly disengaged students one morning.

For good reason since world news is afoot. Twelve alien craft have positioned themselves strategically around the world, hanging a few feet from the ground in just the sort of way that bricks don't.

Banks is approached by Colonel Weber Forest Whitaker and offered the job of trying to communicate with the aliens: where did they come from?

Banks faces the biggest challenge of her academic career in trying to devise a strategy for communication without any foundation of knowledge on what level communication even works at for them.

Steven Spielberg made a rare error of judgement by adding scenes in his "Special Edition" of "Close Encounters of the Third Kind" showing everyman power guy Roy Neary Richard Dreyfuss entering the alien spacecraft.

Some things are best left to the imagination. Here, a reprise of that mistake seems inevitable, but — perversely — seems to be pulled off with mastery and aplomb.

The aliens are well rendered, and the small scale nature of the set I'm sure I've been in similar dingy waiting rooms in UK railway stations!

But where the screenplay really kills it is in the emergence of the real power unleashed by the translation work.

To say any more would deliver spoilers, which I won't do. But this is a masterly piece of science- fiction writing. If I were to be critical, some of the dialogue at times is a little TOO clever for its own good and smacks of Aaron Sorkin over-exposition: the comment about "They have a word for it in Hungary" for example went right over my head.

Denis Villeneuve "Sicario" deftly directs, leaving the pace of the story glacially slow in places to let the audience deduce what is going on at their own speed.

This will NOT be to the liking of movie fans who like their films in a wham-bam of CGI, but was very much to my liking.

The film in fact has very little exposition, giving you lots to think about after the credits roll: there were elements of the story such as her book that still generated debate with my better half on the drive home.

An extraordinary film, this is a must see for sci-fi fans but also for lovers of good cinema and well-crafted stories.

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Rate This. A linguist works with the military to communicate with alien lifeforms after twelve mysterious spacecraft appear around the world.

Director: Denis Villeneuve. Added to Watchlist. From metacritic. Everything New on Hulu in June. Related News Which previously nominated director will finally claim Oscar gold in ?

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Won 1 Oscar. Edit Cast Cast overview, first billed only: Amy Adams Louise Banks Jeremy Renner Ian Donnelly Forest Whitaker Colonel Weber Michael Stuhlbarg Agent Halpern Mark O'Brien Captain Marks Tzi Ma General Shang Abigail Pniowsky Kettler Lucas Chartier-Dessert Private Lasky Christian Jadah Private Combs Lucy Van Oldenbarneveld Banks suggests that the full message is split among the twelve craft, and the aliens want all the nations to share what they learn.

China's General Shang issues an ultimatum to his local alien craft, demanding that it leave China within 24 hours.

Russia, Pakistan and Sudan follow suit. Communications between the international research teams are terminated as worldwide panic sets in.

Banks goes alone to the craft, and it sends down a transport pod. Abbott is dying as a result of the explosion; Costello explains that they have come to help humanity, for in 3, years they will need humanity's help in return.

Banks realises the "weapon" is their language, which changes humans' linear perception of time, allowing them to experience "memories" of future events.

Banks's visions of her daughter, Hannah whose name is a palindrome itself , are revealed to actually be premonitions; her daughter will not be born until some time in the future.

She has a premonition of a United Nations event celebrating newfound unity following the alien arrival, in which Shang thanks her for having convinced him to call off the attack by calling his private number and reciting his wife's dying words: "War doesn't make winners, only widows.

In the present, Banks steals CIA agent Halpern's satellite phone, a rarity when phones have been confiscated on the base, and calls Shang's number to recite the words.

The Chinese announce that they are standing down and release their twelfth piece of the message. The other countries follow suit, and the twelve craft depart.

During the evacuation of the camp, Donnelly expresses his love for Banks. They talk about life choices and whether he would change them if he could see the future.

Banks knows that she will agree to have a child with him despite knowing their fate: that Hannah will die, and Donnelly will leave them after she reveals that she knew this.

Arrival is based on the Nebula-winning science fiction novella, " Story of Your Life " by Ted Chiang , written in As with the film, "Story of Your Life" involves Earth's first communication with heptapods who speak in a cryptic language.

Screenwriter Eric Heisserer had been introduced to the story through another of Chiang's stories, " Understand ", and had begun reading through Chiang's collected works when "Story of Your Life" had a "profound emotional effect" on him.

As a result, he decided to try and adapt the story into a film script as he wanted to share it with a wider audience. Shawn Levy of 21 Laps said they had become aware of "Story of Your Life" around and considered it a powerful work; and when they learned of Heisserer's script adaption, started working closely with him, helping him refine the script before they began seeking a director and distribution studio.

One of the directors that 21 Laps approached was Denis Villeneuve. Villeneuve had wanted to make a science fiction film for some time, although he "never found the right thing".

Heisserer had made several changes from "Story of Your Life" between writing his original screenplays and the final script, the main one being that, the heptapods actually arrived on Earth in a type of first contact situation, as he felt this helped to create the tension and conflict needed for a film.

But after the release of Interstellar in , Heisserer and Villeneuve agreed that this would not work, and decided that the heptapods' gift would be what was "there in front of us … the power of their language".

Amy Adams entered negotiations to star in the film in April , [16] and would be confirmed by the time Jeremy Renner joined the film in March Principal photography lasted for 56 days, beginning on June 7, , after Renner had fulfilled his obligations to Captain America: Civil War.

Bradford Young was sought out by Villeneuve as he was looking for a cinematographer with a sensibility towards natural lighting. I wanted a cinematographer who would not be afraid to deal with intimacy.

Young stated "I went for cooler colors when I wanted Amy to feel worn down. We tried to pull back on that a little bit, but then Denis stopped me in the [color timing] and told me not to be so concerned about skin tone and let her be pasty, let her exist in that melancholy space, let us feel that visually.

Additionally, Young looked towards the book Speedway by photographer Martina Hoogland Ivanow as a reference for the look of the film. Production designer Patrice Vermette discussed the film in a February interview with Popular Mechanics , stating that a big influence on the look of the film was the works of artist James Turrell , particularly the design of the meeting room aboard the alien craft.

That big screen was always there in the script, and I used it as an element to unite Louise's world. For me, that big screen is more than a screen—that room, which they called in the script 'the interview room,' is a classroom.

That big white screen, [you see it] represented in Louise's house with the big window. You also see it in her school, in her classroom.

Rodeo FX completed 60 visual shots for the film, and stated that the biggest challenge for them was the sequence in which Louise and Ian first enter the alien craft.

Both the book and the screenwriting required the invention of a form of alien linguistics which recurs in the plot. The film uses a script designed by the artist Martine Bertrand wife of the production designer Patrice Vermette , based on scriptwriter Heisserer's original concept.

Computer scientists Stephen and Christopher Wolfram analyzed it to provide the basis for Banks's work in the film.

Lisa Travis was consulted for set design during the construction of the scientist's workplaces. Jessica Coon , a Canada Research Chair in Syntax and Indigenous Languages, was consulted for her linguistics expertise during review of the script.

He developed one of the main themes in the first week using vocals and experimental piano loops. Max Richter 's pre-existing piece " On the Nature of Daylight " is featured in the film's opening and closing scenes.

A teaser trailer was released in August , followed the next week by the first official trailer. The inaccuracy angered Hong Kong social media users.

The posters were withdrawn and a statement attributed the inaccuracy to a third-party vendor. The website's critical consensus reads, " Arrival delivers a must-see experience for fans of thinking person's sci-fi that anchors its heady themes with genuinely affecting emotion and a terrific performance from Amy Adams.

Robbie Collin of The Telegraph praised the film, calling it: "introspective, philosophical and existentially inclined—yet [it] unfolds in an unwavering tenor of chest-tightening excitement.

And there is a mid-film revelation—less a sudden twist than sleek unwinding of everything you think you know—that feels, when it hits you, like your seat is tipping back.

For the most part, it succeeds. Conversely, Forrest Wickman of Slate had a more mixed opinion of the film, praising the cinematography and musical score, but stating that he thought it was similar to Christopher Nolan 's "only intermittently stellar" Interstellar , and criticising the dialogue as "clunky".

The Guardian rated it as the third-best film of David Adger , a linguist professor who teaches at Queen Mary University of London had a favourable view of the accuracy of the linguistics in Arrival , saying that "the portrayal of trying different hypotheses about the language, coming up with generalizations, and testing them out was spot on.

Similarly, Jessica Coon , a linguistic professor who teaches at McGill University and helped with the films linguistics stated that "what the film gets exactly right is both the interactive nature but also that you really have to start small.

Linguistics professor Betty Birner , who teaches at Northern Illinois University , said that the film's use of the Sapir—Whorf hypothesis went "beyond anything that is plausible".

She also felt the film oversimplified the process of translating the aliens' language, skipping straight from Banks establishing the basic vocabulary of the language, to her being able to understand abstract concepts such as "weapon".

Scholar Luca Zanchi has compared the collapsing of time and causality in the storyline to the state of enlightenment and the powers of the bodhisattvic mind as described in Mahayana Buddhism.

In the Avatamsaka Sutra , these spiritual attainments include cognition unbound by time and space. Arrival received numerous awards and nominations.

From Wikipedia, the free encyclopedia. Theatrical release poster. Main article: List of accolades received by Arrival.

British Board of Film Classification. September 19, Archived from the original on September 21, Retrieved September 19, Los Angeles Times.

Archived from the original on May 7, Retrieved April 17, Box Office Mojo. Archived from the original on July 20, Retrieved July 16, CBS Interactive.

Archived from the original on July 29, Retrieved July 31, Deadline Hollywood. Archived from the original on December 22, Retrieved December 8, The Hollywood Reporter.

December 12, Archived from the original on December 13, Retrieved December 12, Science Fiction Awards Database. Archived from the original on May 23, Retrieved May 24, World Science Fiction Society.

Archived from the original on August 11, Retrieved August 12, November 27, Archived from the original on February 1, Retrieved January 30, Script Slug.

Archived PDF from the original on September 28, Retrieved September 28, Archived from the original on March 4, Retrieved March 3, The Wall Street Journal.

Archived from the original on November 8, Retrieved November 8, Awards Daily. November 29, Retrieved March 4, Archived from the original on November 5, Retrieved November 5, Archived from the original on February 18, Retrieved February 18, Archived from the original on November 2, Retrieved April 18, Archived from the original on March 29, Retrieved March 8, Archived from the original on June 16, Retrieved June 9, Archived from the original on June 18, Retrieved June 20, Jessica Coon on Villeneuve's "Arrival " ".

Archived from the original on November 12, Retrieved November 11, November 8, Archived from the original on August 22, Retrieved September 18, La Terre de chez nous in French.

British Cinematographer. Archived from the original on March 18, Retrieved March 18, Montreal Gazette. February 24, Archived from the original on April 1,

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